![]() ![]() We’ve been testing with Yosemite for months, and are happy to say that all of the Divergent Media apps – ClipWrap, EditReady, ScopeBox and Phosphor work great. This is an exciting update with lots of great new features. Today with better lenses 1224 2.8 with sharper stars in corners and the A7s iii able to shoot at 640 to control highlights but get shadows/darks detail makes for some great night poster size prints, I give as gifts (not a pro).Apple recently released Yosemite, Mac OS X 10.10. I have used Denoise for years due to astro shooting with the A7s but I have a trunk full of older images in poster size after using Gigapixel. There are 4 different modes, x increase, length, width, crop and then NR and blur. Able in Gigapixel AI to crop in but able to select width and height pixel lengths to make a portrait image, yes stars are elongated but able to do it. I have taken a landscape milky way and converted to a portrait view that was tilted up causing straight lines to bend inward and after correction got a narrower width look. Go up to 600% but a key difference is the AI gets updated almost daily!!! Also the things you can do is select the dimensions and a crop selection then either width or height pixel length. Have used Gigapixel since it came out along with Denoise, the main advantage is you edit your raw image in Lr, that's right RAW! Then send it directly to Gigapixel (not a edited tiff) or you can send tiff but can get back any file type you want. Now with the A7s iii and clarity is better with new sensor. I have also the A7rii and can not really tell in a raw and jpegs are super. Have been using the A7s since '14 and clarity in a poster size print or on metal no problem. Have you tried Gigapixel AI or Adobe’s Super Resolution? Do your results match those of Chris Brockhurst in this video? Let us know your experiences in the comments below. Obviously, this will need some more testing to really understand where the limitations of Super Resolution kick in, but it seems that the a7S III just became a much more viable option for hybrid shooters looking for one camera to do everything.īe sure to check out the experience of Fstoppers' Alex Coleman by reading his latest article. Once Adobe’s new Super Resolution comes to Lightroom (it’s presently only been introduced to Adobe Camera Raw), it’s possible that some of those concerns will disappear as, in the event that you need to shoot some decent res stills, you can simply pick your favorites and create a DNG file - complete with any existing edits carried across from the original - that’s four times the resolution in a matter of seconds. For many, trying to choose between the a7S III and the a7R IV is a bit of a challenge, as although the raw files coming out of the a7S III are great, they’re pretty tiny for a camera in 2021, and it’s a significant trade-off for anyone who is looking for one camera to suit every job. ![]() ![]() The a7S III is Sony’s latest mirrorless full frame hybrid geared towards shooting video, and one of the compromises made to give the camera its fantastic 4K features is that the sensor is a rather puny 12 megapixels. ![]()
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